Spiral Shadow emanates heat. Although this is true for most sludge metal (can you think of an icy–sounding sludge band?), Kylesa’s knack for melody, which, of their seven albums, they showcase most effectively on this one, puts a bit of pep in their sound that goes nicely with the sunshine. The Pimms of sludge metal, if you will.
Combine this warmth with a woozy quality – Kylesa clearly dig Pink Floyd and guitar pedals – and this album, despite sludge’s traditionally blown out sound, suggests a lot of space. The shimmery intro of Tired Climb leads into one of those riffs gives the << button a lot of use, and even at these cave–in moments, of which there are a couple throughout the album, this album feels expansive. This is coupled with tight song writing (only two songs run past four minutes) and a variety of styles; Cheating Synergy (the definition of the latter, neatly, being ‘the interaction of elements that when combined produce a total effect that is greater than the sum of the individual elements, contributions’) mixes punk, sludge and shredding. Crowded Road uses the Arabic scale. Don’t Look Back combines the cheery thunder of Torche with a Pixies vibe. To Forget sounds like a raga. If I knew a few more indie bands I might say Back and Forth sounds a bit indie . The vocals vary throughout, from punk shout to sludge growl to Laura Pleasant’s cooing.
Point being, while it’s cool to spend an hour imaging you’re tromping through the desert with the Sandraiders and Ewoks and Dobby the Elf whilst spinning Dopesmoker, if you’re after something more akin to a collection of, well, songs, put Spiral Shadow on and enjoy that Pimms.
2. That’s a compliment.